Projects by Artist
The Locus+ Archive (incorporating material from the Basement Group and Projects UK) hosted at the University of Sunderland currently has two PhD posts affiliated to it and is the largest archive of time-based work in Europe. It forms a comprehensive historical overview of contemporary art practice from the early '70s to the present, covering artists' projects from a variety of British and international contexts. Here is a snapshot of the projects that have been digitized to date.
Bruce McLean Breaks on the Bridge, 1983
A performance featuring the Whickam Synchronettes - a local group of synchronised swimmers in the Elswick Swimming pool.
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John Kippin The Elsdon Mystery, 1983
A "thriller" movie which asks questions about the communicative possibilities of visual information.
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Silvia Ziranek A Deliberate Case of Particulars, 1983
A performance in the Pizzaland restaurant Newcastle upon Tyne
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John Adams Sensible Shoes, 1983
Sensible Shoes is a witty collision of fiction and reality, ironically rendered as a multi-textual pastiche of mass media and personal narratives.
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Charlie Hooker Mainbeam, 1983
Mainbeam - a ballet for vehicles - was a performance carried out at night in the Trinity Square Multi-storey car park in Gateshead.
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John Adams Bob and Jill (pt. 2), 1982
In Bob and Jill (Pt. 2), the relation between fact and fiction in the personal and popular narratives of everyday life is rendered in an assemblage of soap opera conventions, performance and documentary
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Richard Grayson Three Real Things, 1982
Three Real Things, a film by Richard Grayson was originally part of The Basement Group Showreel produced in 1983.
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Alastair MacLennan Twenty Four Hours, 1981
A performance in which the artist walked from midnight to midnight continuously in a circle through a square divided in two halves, one half black paint, the other white flour.
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Mona Hatoum Look No Body!, 1981
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